Types of love in “A Midsummer Night’s Dream” Essay

In the drama. “A Midsummer Night’s Dream. by William Shakespeare. several illustrations of love’s association with a higher power are presented like Theseus set uping a matrimony between himself and Hippolyta. Egeus taking who Hermia should get married and the faeries who have the ability to command love in the Enchanted Forest. There are many cases in “A Midsummer Night’s Dream” where love is coerced from or foisted upon unwilling individuals. This romantic bondage comes from both semisynthetic edicts and the other-worldly captivation of love potions. Puttering with the natural patterned advance of love has effects.

These human and fairy-led intrigues. which are brought to visible radiation under the picket. watery Moon. are an insult to nature. Shakespeare knows that all must be restored to its topographic point under fate’s pollex when the party of dreamers awakens. Is love controlled by human existences who love one another. or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An illustration of a higher power would be a cupid. a winging angel-type animal who is supposed to hit pointers at people to do them fall in love. There are other people who reject the thought that a higher power controls love and that the people who experience love can command it. There are several illustrations of love in Shakespeare’s drama: Forced love. parental love. romantic love ( true love ) . unanswered love. and covetous love.

In the case of Theseus and Hippolyta. Theseus won his shortly to be married woman through a war. He was the war hero and she was his spoil. Theseus and Hippolyta’s matrimony is used by Shakespeare to portray forced love. “I wooed thee with my sword” said Theseus. Hippolyta. holding been the Queen of the Amazons. has been conquered by Theseus and is hence under duty to get married him. hence demoing forced love. She is duteous to Theseus. who in return dainties her good. When Theseus said “wooed” this could possibly connote Theseus is genuinely in love with Hippolyta and does wish to handle her properly. In Act 5 scene 1. Hippolyta says “My Theseus” . ( Shakespeare pg. 1690 ) this shows she is willing to get married him. and this shows the nature of their love is besides really mature. which contrasts from the immature love of the four lovers.

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Theseus and Hippolyta’s adulthood is besides reflected in their address. Their words are much more controlled and non as roseola or irrational as those of the four lovers. In the beginning of the drama. it is clear that Theseus is more sympathetic to Hermia’s state of affairs than Egeus. yet he besides up-holds the jurisprudence as the swayer of Athens. This shows he is duteous and reinforces the thought of adulthood. However. at the terminal of the drama. merely before the nuptials. he permits Hermia and Lysander to get married ; this determination was likely to a great extent affected by his ain experience. particularly since it was his nuptials twenty-four hours and this joyous juncture which lingered on his head. His love for Hippolyta had likely grown taking to the matrimony. and he excessively understood the four lovers’ love. and excessively left him vulnerable to the effects of love. ( BookRags )

Another type of love Shakespeare shows is parental love. Egeus and Hermia’s father-daughter relationship illustrates parental love: Egeus said. “She will get married Demetrius or be put to death” ( film ) and “As she is mine. and all my right of her. ” ( Shakespeare pg. 1650 ) In the yesteryear. when this drama is set. the jurisprudence allowed male parents much more power and control over their girls. and Hermia. in this manner. is seen as her father’s belongings. so he may command her as he will. This shows his authorization and commanding love as portion of paternal.

This could besides be a facade for Egeus’ love for his girl. as possibly he has to look commanding and strict. since society deemed it so. Besides. Egeus might be afraid of the uncertainness of his daughter’s hereafter. and hence holding control over her helps settle his head. I think. in the terminal. Egeus wants what he thinks is best for his girl. though of class Hermia’s positions of what is best for herself is different. Egeus wishes for Hermia to get married a Lord to guarantee her of a comfy life. In regulating her. he has control over his girl. leting merely what he wants for her. this shows over-protective love. another signifier of parental love. ( Mission Ventures )

True love is a type of love Shakespeare displays in “A Midsummer Night’s Dream. ” Hermia and Lysander’s relationship represents true love. “The class of true love ne’er did run smooth. ” ( Shakespeare pg. 1651 ) This line delivered by Lysander gaining controls clearly the nature of true love. True love is seen as strong. and can digest despite adversities. It is hard to maintain one time found but good worth the problems. The class of their true love does non run smooth for many grounds. One of the grounds is Egeus. Hermia’s male parent. By jurisprudence he has power over her and what he wants for is girl is what must go on. And by that. Hermia is expected to be duteous to her male parent. by esteeming and obeying him. His over-protective parental love demands Hermia a different adult male. but Hermia and Lysander’s finding brings the two through. once more back uping true love as strong.

Egeus and the Athenian Law are both obstructions that result in their relationship non running swimmingly. True love is common. and their determination to run off is besides a common determination. this seems roseola and could connote their love to be passionate. However. their determination to uncover their program to Helena was foolish and unlogical ; this shows Hermia and Lysander’s love to be immature. merriment and close. though they are excited and both can non wait to portion their secret with their closest friend. Yet this action merely proves to ensue in yet another obstruction. besides their young person. possibly their immatureness and their deficiency of thought things through. Despite the obstructors. their love succeeds in the terminal to demo true love is strong and can non be ignored and with finding it prevails. ( Hillegass )

Unrequited love or love that is merely one sided. which is shown by Helena and Demetrius’ relationship: “The more I love. the more he hateth me. ” said Helena. ( Shakespeare pg. 1653 ) This obviously shows Helena’s love for Demetrius. and yet her love for him is non returned for he is blinded by his love for Hermia. This unanswered love shows the barbarous nature of love. Demetrius ignores Helena in an effort to acquire her to go forth him entirely. when she is frantically in love with him.

However his program blowbacks and lone causes her love and despairing desire for him to turn. which consequences in him detesting her even more. later a destructive rhythm develops that worsens. without the two noticing. It is a barbarous relationship and if allowed to digest. it would be lay waste toing. The relationship between Demetrius and Helena can besides be described as opprobrious. shown here by Demetrius’ line: “I love thee non. hence prosecute me non. ” ( Shakespeare pg. 1661 ) Demetrius learned the information from Helena refering Hermia and Lysander’s plans to run off. Demetrius has taken what he wants from her and tells her to go forth him entirely. This shows that love can present a cruel and opprobrious nature. ( Evans/ProQuest )

The last type of love is covetous love. Covetous love is shown through Oberon and Titania’s relationship. “I’ll met by moonshine. ” said Oberon. ( Shakespeare pg. 1658 ) This shows that there are problems present in their relationship. since the two do non look to be on good footings. Oberon and Titania are reasoning over the idiot male child. the boy of one of Titania’s late friends. Oberon would wish to possess this kid. but Titania refuses to allow him travel. This shows that the nature of love can at times be annoying and troublesome and that the love between Oberon and Titania is most decidedly non running swimmingly. “What. covetous Oberon” said Titania. ( Shakespeare pg. 1658 ) Oberon does non really deny his green-eyed monster of Titania and the idiot male child. and through his actions. you can see. although at times it is really elusive. Oberon’s green-eyed monster.

Jealousy is a powerful emotion. and when assorted with love. it has annihilating effects. Oberon’s jealousy grows. as Titania’s love for the idiot male child does. and as a consequence. the relationship between the two worsens as they grow apart from choler. Oberon and Titania’s love is old and contrasts from the immature love of the four lovers. It is clear that Oberon and Titania’s love is complicated. and much more serious than that of the four lovers. Their actions have immediate effects. though the actions of the four lovers have no immediate consequence on anyone else apart from themselves. The nature of love here is old. and serious. there is jealousy and plume all assorted in with their love. demoing the nature of Oberon and Titania’s love to be different to any other relationships we have encountered yet in this drama. ( Kisselgoff/ProQuest )

Shakespeare presents many natures of love in. “A Midsummer Night’s Dream” . He shows common love between Lysander and Hermia. and their baffled love in the forests and besides the joyous and celebrative love at the terminal. He shows how love can impact a person’s actions and judgements. such as Egeus denying Hermia and Lysander to be together hence lead to them to run off and run off. Shakespeare besides shows that whether one is immature or old. there is love. But above all. he has shown the assorted natures of love. and how at that place appears to be an infinite figure of different sorts of love. Love appears in many ways: Forced love. parental love. true love. unanswered love. and covetous love. So whether brought on by a higher power or human existences. love is everyplace. exciting. and powerful. and full of ups and downs.

Work Cited:
BookRags Inc. A Character Analysis of Theseus in Shakespeare’s “A Midsummer Night’s Dream. ” Bookrags. com. BookRags Inc. 2012. 22 Oct. 2012.

Booth. Allison. “A Midsummer Night’s Dream. ” 10th. Kelly J. Mays. New York. 2010.

Evans. Everett. “A Midsummer Night’s Dream. ” Houston Chronicle: 3. Aug 06 2012. The Advocate ( Stamford ) ; Baltimore Sun ; Business Dateline ; Greenwich Time ; Hartford Courant ; Los Angeles Times ; Morning Call ; Newsday ; Orlando Sentinel ; ProQuest Newsstand ; Southeastern Newspapers ; Sun Sentinel. Web 30. Oct. 2012.

Hillegrass. Keith Clifton. “A Midsummer Night’s Dream” by William Shakespeare. Cliffnotes. com John Wiley & A ; Sons. Inc. 2010. 28 Oct. 2012.

Kisselgoff. Anna. “Capturing the Glint in Oberon’s Eyes. ” New York Times: 0. Apr18 2004. The Advocate ( Stamford ) ; Baltimore Sun ; Business Dateline ; Greenwich Time ; Hartford Courant ; Los Angeles Times ; Morning Call ; National Newspapers Core ; Newsday ; New York Times ; Orlando Sentinel ; ProQuest Newsstand ; Sun Sentinel. Web 30. Oct. 2012.

Mission Ventures. Has anyone here studied Shakespeare’s drama. “A Midsummer Night’s Dream. ” Sodahead. com. Sodahead Inc. 2012. 25 Oct. 2012.


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