In Sophocles Antigone. the rubric character’s gender has profound effects on the significance of her actions. Creon himself says that the demand to get the better of her is all the more pressure because since she is a adult female her rebellion disturbances gender functions and hierarchy. By declining to be inactive. she overturns one of the cardinal regulations of her civilization. Womans were subjugated and supposed to be soundless witnesss to the universe about them as men’s. such as Creon’s. hunt for power fuels at that place desire to set adult females down to decrease the possibility of a menace. Antigone is a adult female who steadfastly believed in humanly burying a dead organic structure and whose actions changed the class of Thebian history.
Her brothers have been slain by each other’s blades in conflict and Creon. the male monarch of Thebes. has made a decree stating that one brother shall be given an honest entombment for his service to the metropolis. while the other will be given no entombment because he is considered a treasonist to the metropolis of Thebes. In Ancient Greece. if a individual died and was non given a proper entombment. so their spirit would non be able to go through into Hades. Because of this. Antigone is determined to give her brother a proper entombment. At the same clip. Creon is determined that no 1 will bury Polyneices and anyone who tries will be condemned to decease. Creon and Antigone’s conflicting points of position finally lead to their ain death.
As befits her. Antigone is a loving and loyal girl and sister. It is exactly this trueness that makes her an active instead than a inactive figure. Throughout the drama. Antigone surprisingly retains the traditional function of adult females. while at the same clip boldly disputing this word picture. This is exactly where the struggle between the sexes rises. The denial of entombment to her brother straight strikes at her household trueness. for it was the privilege and responsibility of the adult females of the house to mourn the dead adult male in unrestrained sorrow and consign him to the Earth. By declining to allow travel of one of her feminine responsibilities she breaks another 1. This tremendous sense of trueness leads to her coincident misdemeanor and abidement to the responsibility of adult females at the clip. She is an illustration that disproves the stating that a adult female is the “effect” of the “cause” that is adult male. She independently starts her ain battle. When she confronts her sister about her program. the feminine Ismene answers: “Remember we are adult females. we’re non born to postulate with work forces.
Then excessively we’re subordinates. ruled by much stronger custodies. so we submit in this. and things still worse. ” ( 74-77 ) . These words express her utmost fright of subordination to adult male. She admits to and accepts perpetrating incorrect and enduring due to a woman’s subordination to adult male. Unlike Ismene. Antigone does non care if anyone is willing to help her in burying her brother. she is willing to make it on her ain in malice of the effects. In order for her to decently mourn her brother. like every sister should. Antigone was forced to boldly dispute the jurisprudence set Forth by her uncle and male monarch. Creon an action or thought that is out by her society. She pig-headedly refused to give in to Creon ensuing in her tragic decease.
Creon becomes ferocious with his niece for perpetrating such an inexcusable offense because it is out her topographic point. Not merely did Antigone dispute the authorization of her male monarch. but besides the high power of a adult male. When talking to his boy. Haemon. about his fience’s act. Creon strongly emphasizes the of import relationship and duty of a adult male to his male parent instead than to his married woman. Furthermore. he emphasizes the importance of males in a family when he says: “That’s what a adult male prays for: to bring forth good sons– families full of them…” ( 716-717 ) . “…never lose your sense of opinion over a adult female. . . a worthless adult female in your house. a wretchedness in your bed. ” ( 724-727 ) . By saying this. Creon expresses his belief that a woman’s sole intent is to function and back up her hubby. Once this is broken. she is no longer of any usage. He is seeking to convert his boy that a adult female is non deserving traveling against your male parent. Furthermore. pride is strongly apparent in Creon doing him an even better illustration of the male stereotype.
He refuses to compromise or humble himself before others particularly adult females. For illustration. he says: “…never allow some adult female victory over us. Better to fall from power. if autumn we must. at the custodies of a man–never be rated inferior to a adult female. never” ( 759-763 ) . He pig-headedly refuses others the right to show sentiments different from his ain. Creon abuses his power to coerce others to accept his point of position. This utmost male laterality struggles head-on with Antigone’s bold unwomanlike challenge to Creon’s authorization. When encountered with his boy. Haemon’s rebelliousness to his male parent. Creon proclaimed him a “woman’s slave. ” a adult male unluckily sided with a adult female. Harmonizing to Creon. this act was close to. if non already. a wickedness. Creon succeeded in deriving the common male character of being barbarous in exchange for the loss of his household and felicity.
Antigone and Creon both are unwilling to listen to ground. Ismene reminds Antigone of the effects of burying their brother by stating her that traveling against Creon will finally ensue in her decease. Even after Ismene’s supplication. Antigone will non listen to ground. She is determined to give her brother a proper burial alternatively of thought of how her determination will impact others. Creon is every bit unwilling to listen to ground. He is unwilling to listen to the supplications of his boy to allow Antigone populate. Creon believes that if he changes his edict. his topics will see him as a weak swayer. therefore he is unwilling to listen to the logical thinking of his boy. Stubbornness finally leads to their ruin. The bold. tradition-braking character of Antigone clearly clashed with the ovepowered. male dominant personality of Creon. This hit of character gave rise to the struggle between the sexes in Sophocles’ Antigone.